Saturday I worked on the novel Panic in a Suitcase and finally finished this morning laying in bed while L slept soundly.
Worked or labored is the key descriptor for this read even if it is an interesting enough portrayal. It is the story of an immigrant Jewish family living in Brooklyn from Russia/the Ukraine. The first part surrounds the visit of Pasha from the old country and the underlying tension of learning if he will apply to emigrate. It is a collective sigh of relief when Pasha does not decide to move. The family needs to retain a connection with the old country for their identity to survive. Hope of further return is extinguished when Pasha returns once more to visit (this time less space in the novel is devoted to this return trip) and there is a hint that he meets Sveta who will replace his former wife.
The second part skips several years and concerns the visit by the youngest, Frida the reluctant and petulant supposed prodigy, back to the old country. At first it is Fridas doing that prompts this visit to a wedding of her cousins (Pasha's son) and then it becomes Marina's release to send her rather than endure a summer with her. Here Pasha is seen through a different lense as one who was once a successful Russian poet and occassionally still draws that admiration but is otherwise passe. Frida is in essence looking for an escape from the expectations of her family. The wedding is never realized in the novel as the novel closes before the reader encounters Pasha's son.
I enjoyed the character of Marina although she features only briefly in the narrative at junctures.
Many of the sentences were laboriously long or was it just that they were often written in figurative language. The lack of punctuated dialogue threw me off at times. This novel I could see being selected for a literature class where the characters were dissected, themes compared, and the language mulled over. A third of the way through I became interested in the words I did not understand. My favorite class in middle school was a literature class where we did vocabulary exercises on the novels we read. As I read the novel on my e-reader I was able to highlight sentences where a word that I had never encountered before appeared.
And while I do not think these words will ever figure into my vocabulary at least I am prepared for the next game of Balderdash. I miss living near to my brother B who loved words as much as I do, or more so, and could skunk anyone at Balderdash, one of his favorite games to play. Family dynamics are funny really. There is always this awkward phase when one visits after having not seen family for a long time. Or as time passes it is even more awkward to pick up the phone and call family. I don't know why we allow this to be. The Panic. When my family is my favorite people of all.
As a whole the novel was laborious to read. A sense of disappointment was thick in the novel or at other times unease. I think it would be much more interesting to re-read as the first read there was a sense of trying to understand the narrative. I think in the second read one could slow down and appreciate the figurative language ploys that author Yelena Akhtiorskaya likes to twist in.
I read an interview of this author Yelena who loosely bases this novel off of the family collective stories and dynamics that she encountered as a young immigrant to the United States and based on her return to the old country. Sometimes I wonder what it would be like to write a novel and wonder if I could. Yelena was just 25 when she wrote this novel. For my reading project this is the novel I selected for an author under 30. It is also her debut novel. Have you ever thought of writing a novel? Would you base your novel on your own life story? the collective stories of your family or your childhood experience?


